Paris, the 1950s. Daniel Brodin – bibliophile, book thief, self-proclaimed poet – enters the heated atmosphere of the Cafe Serbier, home of the Parisian literati. Daniel impulsively puts himself forward for a poetry recitation. Under pressure, he recites not one of his own surrealist poems but an obscure piece of Italian verse he’s certain no one will know. It’s plagiarism, but it’s a triumph. Daniel’s recital marks his entrance into the Parisian avant-garde: a band of cultured rogues and pseudo-revolutionaries for whom life is a playground for art and planning a robbery has as much value as writing a book. In this milieu, the wine is good and the girls are beautiful. But can success last if it is founded on plagiarism and theft?